Demon angel sakura 4 scene
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But the specifics of that, you have to discover, and I remember in that table read, starting to discover those.
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You know that I'm a bit fussy and a bit anal or whatever, and you're a bit loose and a bit swaggery and all that kind of stuff. You know that they're supposed to be an odd couple. And it did sort of develop over the course of that.Michael Sheen: You've got broad strokes.
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We just read the scenes, and we read all the scripts in one day. It felt like I knew who both these characters were and what they needed to feel like, but we didn't really unpack with each other how we might sort of embody that. From reading the source material, they felt very vivid. Thanks to the combination of Neil Gaiman's writing, David Tennant and Michael Sheen's performances, and Douglas Mackinnon's filming, Good Omens is in many ways a love story between an angel and a demon that is just open enough to interpretation that everybody should be able to enjoy it.ĭavid Tennant and Michael Sheen also spoke at the press event about crafting the Crowley/Aziraphale dynamic:ĭavid Tennant: It was something that we very much discovered. Not just because Good Omens delivered a distraught Crowley leaving Aziraphale's burning book shop to the tune of Queen's "Somebody To Love," and not just because Aziraphale was willing to go against every instinct and give Crowley some holy water because he was afraid Crowley would get himself killed attempting to steal it. That scene and many others proved Crowley and Aziraphale are the real heart of Good Omens. If not for Neil Gaiman and Douglas Mackinnon improvising, the Globe Theatre scene could have been a disaster.
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Interestingly, one of the most entertaining new sequences for the show almost didn't happen thanks to some filming complications at one iconic London location. Although Tennant hadn't actually read the book, Gaiman was a resource for clarifying what Crowley and Aziraphale did and why they did it. Luckily, David Tennant and Michael Sheen had a lot to work with thanks to the original Good Omens novel and the new sequences Neil Gaiman crafted for the show. The actors playing Crowley and Aziraphale needed to sell their separate sides of the story while still coming across as two halves of a whole. So if they can get on, why can't everybody else? I suppose is our message. They represent those two polar ends of life, and yet they rub along together. They're in a very polarized world that we live in now. And it's almost like that's who David and Michael are. And the idea is that they've always been trying to get back together again ever since. I'm from Scotland, which won't surprise you, but there's an ancient Celtic myth that when God first created a human being, she'd basically created a two-headed, four-legged, four-armed creature, and then it wasn't working, so split it in half. He said, 'Suddenly I was saying a line, and then the other line.' I think it's worth saying as well, because you've said before, the two characters started off as one character, and you split them at some point into the two characters. We sort of knew they would learn and turn up, and they would be good. Honestly, if one half of the writing team who created the characters nearly 30 years ago is enthusiastically on board, there can be no doubt that these were the right actors for the job! Considering that Neil Gaiman has said many times that the goal of Good Omens on Amazon was to create something for his late writing partner that Terry Pratchett would have been proud of, his comments about David Tennant and Michael Sheen are high praise indeed.ĭirector Douglas Mackinnon, who helmed all six episodes of Good Omens, weighed in on the dance between the two lead actors, as well as what they brought to the show as their characters in their funny little relationship.